Film exhibition and distribution in Ireland, 1909–2010
Utilizing a range of previously unexplored primary sources from film trade publications to cinema records, Film exhibition and distribution in Ireland, 1909–2010 traces in forensic detail the social, cultural and business practices that comprise the Irish cinema phenomenon.
The comprehensive nature of the study, which completes the narrative of Irish film exhibition partly told in its companion volume on picture-going in Ireland – Magic lantern, panorama and moving picture shows in Ireland, 1786–1909 (2011) – and in Irish film censorship: a cultural journey from silent cinema to internet pornography (2004), is apparent in each of the book’s three sections.
Part one provides the first extensive account of a whole Irish business sector, including the key personnel involved, and explores issues of cultural and social geography not least in relation to the development of cinema buildings and the siting of cinemas.
Part two, which examines alternative film exhibition practices, offers the first in depth histories of the competing cultural and moral agendas of the secular Irish Film Society and the Catholic-controlled National Film Institute of Ireland, as well as outlining the emergence of a dynamic film culture from the 1970s and including a history of film festivals; while
Part three presents an annotated all-Ireland listing of film exhibition venues from the first film screenings in Ireland in 1896.
|Author||Kevin Rockett and Emer Rockett|
|Publisher||Four Courts Press|
|Publication date||28 Nov 2011|